#Arabesque all about lily chou chou free
There is a compelling intensity about Hasumi's desolate life, and a distinctively spiritual dimension to the way it has been lived. Listen free to Takeshi Kobayashi All About Lily Chou-Chou OST Arabesque. His daughter was named Lily, but he preferred to call her by the nickname 'Chou Chou.' This was how the name was formulated. Wounded by life in a way that we can only be in adolescence, and which we all conspire to forget or laugh off in later life, Hasumi retreats into his obsessive Lily fan-website. Lily was created as an inspiration from Debussy (her feature song Arabesque is named after one of his) and her name itself comes from Debussys real life daughter. His entire emotional life has gone underground - or rather into cyber-space - displaced into fanatical worship of a (fictional) singer called Lily Chou-Chou, inspired by Faye Wong, the star of Chungking Express.
Iwai tracks the unhappy life of 15-year-old Hasumi (Hayato Ichihara), relentlessly bullied and humiliated by another boy his age, Hoshino (Shugo Oshinari). is a 2001 Japanese film, written and directed by Shunji Iwai, that portrays the lives of 14-year-old students in Japan and the effect the enigmatic singer Lily Chou-Chou's music has on some of them.
Like other Japanese directors - Shinji Aoyoma, Kinji Fukasaku and Hirokazu Koreeda - Iwai addresses the violent rage and yearning of being young. Its images and quirky, cranky design return to the mind's eye long after the final credits. Yet it passes a distinctive cinematic test which other, more easily watchable films fail: it stays with you. It is certainly a film with its longueurs, and is often frustratingly opaque.
#Arabesque all about lily chou chou movie
All About Lily Chou-Chou **** Dir: Shunji Iwai With: Hayato Ichihara, Shugo Oshinari, Ayumo Ito, Takao Osawa 146 minutes, cert 15 Shunji Iwai's spacey, torpid dream-epic of youthful angst and escapism in modern Japan is a movie in which you can find yourself pleasantly drifting, as if suspended in warm water, knowing little and caring less about the elusive narrative.
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